First performed 26 March 1965, Ciro's Le Disc, Hollywood, Los Angeles, California. Sideman. Dylan plays harmonica
19 September 1985, Los Angeles, California, Universal Studios. Farm Aid Rehearsals. On internet
You've got me runnin', you've got me hidin', you've got me run, run, hide, hide anyway you wanna let it roll
Yeah, yeah, yeah
You've got me doin' what you want me, baby why you wanna me to do
Baby What You Want Me To Do. 850919
First performed 26 April 1965, Arrival Hall, London Airport, London
First performed 2 May 1965, De Montford Hall, Leicester
29 July 1965, New York City, New York, New York City, New York, New York City, New York, Studio A, The Highway 61 Revisited session #4. Released on Highway 61 Revisited
Well, I ride on a mail train, baby, can’t buy a thrill
Well, I’ve been up all night, leanin’ on the windowsill
Well, if I die on top of the hill
And if I don’t make it, you know my baby will
Don’t the moon look good, mama, shinin’ through the trees?
Don’t the brakeman look good, mama, flagging down the double E
Don’t the sun look good, goin’ down over the sea?
But don’t my gal look fine when she’s comin' after me?
Well, the wintertime is coming, the windows are filled with frost
I went to tell everybody but I could not get across
Well, I wanna be your lover, baby, I don’t wanna be your boss
Don't say I never warned you, when your train gets lost
VARIATIONS It Takes A Lot To Laugh, It Takes A Train To Cry. Compared with the take released on Highway 61 Revisited. Recorded 29 July 1965, The Highway 61 Revisited session #4
Well, I ride on a mail train, baby, can’t buy a thrill
Well, I ride on a mail train, baby, but I can’t buy a thrill 29 July 1965, H61RS #3R
Well, I’ve been up all night, leanin’ on the windowsill
I’ve been up all night, baby, leanin’ on the windowsill 15 Jun 1965, H61RS #12
Well, if I die on top of the hill
Well, if I gone, babe 25 Jul 1965, Newport Folk Festival
And if I don’t make it, you know my baby will
Don’t the moon look good, mama, shinin’ through the trees?
Don’t the moon look good, mama, shinin’ down through the trees? 1 Aug 1971. NYC, Bangladesh Eve
Don’t the sun look good, honey, going down through the trees? 19 Nov 1975, Worcester
Don’t the sun look good, baby, going down over the sea 20 Nov 1975, Cambridge
Don’t the brakeman look good, babe, flagging down the double E 15 Nov 1975, Niagara Falls, evening
Don’t the sun look good, darling, shining through the sea 15 April 1976, Clearwater
Don’t the brakeman look good, mama, flagging down the double E
Don’t the angel look good, babe, sittin' on his daddy's knees 15 Jun 1965, H61RS #1
Don’t the ghost look good, babe, sittin' on his mad man's knees 15 Jun 1965, H61RS #8
Ah, don’t the sun look good, baby, shinin’ down through the trees 15 Jun 1965, H61RS #9
Don’t the angel look good, babe, sittin' on his daddy's knees 15 Jun 1965, H61RS #12
Don’t the brakeman look good, babe, being where he wants to be 29 July 1965, H61RS #3
Don’t the brakeman look good, babe, flagging down the double E 29 July 1965, H61RS #3R
Don’t the brakeman look good, darling, flagging down the double E 19 Nov 1975, Worcester
Don’t the brakeman look good, honey, flagging down the double E 20 Nov 1975, Cambridge
Don’t the moon look good, honey, shinin’ down through the trees? 15 Nov 1975, Niagara Falls, evening
Don’t the sun look good, goin’ down over the sea
Don’t the moon look good, goin’ down over the sea 19 Nov 1975, Worcester
Don’t the sun moon look good, shinin' through the trees 20 Nov 1975, Cambridge
Don’t the sun moon look good, going down through the trees 15 April 1976, Clearwater
But don’t my gal look fine when she’s comin' after me
Don’t my gal look fine when she’s runnin' after me 15 Jun 1965, H61RS #12
But don’t my gal look fine when she’s chasin' after me 19 Nov 1975, Worcester
Well, the wintertime is coming, the windows are filled with frost
Well, now, winter ‘s coming, the windows are filled with frost 29 July 1965, H61RS #3R
I've been into the baggage room where the engineer’s being tossed 15 Jun 1965, H61RS #12
Well, I've just been into the baggage car 25 Jul 1965,Newport Folk Festival
Well, baby [??? little ??? [show a little crowd] 30 June 1984, nantes
I went to tell everybody but I could not get across
I stumped out a hundred compasses, God knows what they cost 15 Jun 1965, H61RS #12
I stumped out forty compasses 15 Jun 1965, H61RS #8
Well, I wanna be your lover, baby, I don’t wanna be your boss
I wanna be your lover, baby, I don’t wanna be your boss 15 Jun 1965, H61RS #12
Now I wanna be your lover, baby, I never wanted to be your boss 19 Nov 1975, Worcester
Don't say I never warned you, when your train gets lost
I sure can't help it if this train gets lost 15 Jun 1965, H61RS #12
I can't help it If your train gets lost 29 July 1965, H61RS #3R
Don't say I never warned you when this train gets lost 29 July 1965, H61RS #4
Don't say I never warned you, if your train gets lost 1 Aug 1971,NYC, Bangladesh Eve
It Takes A Lot To Laugh. 650615#1#1R#8#9, 650725, 9650729#3#3R#4, 710801, 740109, 751115eve, 751119, 751120, 751121eve, 751126, 751208,19760415, 760417, 781006, 840630
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
26 April 1969, Nashville, Tennessee, Columbia Recording Studio, 2nd Self Portrait session. Released on Self Portrait
I forgot more than you’ll ever know about her
You think you know the smile on her lips, the thrill at the touch of her fingertips
But I forgot more than you’ll ever know about her
You think you’ll find a heaven of bless, in each caress, in each tender kiss
But I forgot more than you’ll ever know about her
You stole her love from me one day, you didn’t care how it hurt me
But you can never steal away, memories of what used to be
You think she’s yours to have and to hold, someday you’ll learn when her love grows cold
That I forgot more than you’ll ever know about her
24 February 1986, Sydney, New South Wales, Australia, Entertainment Centre. Released on Live On The Radio '86
Shared vocals Bob Dylan and Tom Petty
You think she’s yours to have and to hold, someday you’ll learn when her love grows cold
But I forgot more than you’ll ever know about her
You think you know the smile on her lips, the tough of her hand and her tender lips
But I forgot more than you’ll ever know about her
You stole her love from me one day, you didn't care how it hurt me
But you can never steal away, memories of what used to be
You think she’s yours to have and to hold, someday you’ll learn when her love grows cold
But I forgot more than you’ll ever know about her
You stole her love from me one day, you never cared how it hurt me
You can never steal away, memories of what used to be
You think she’s yours to have and to hold, someday you’ll learn when her love grows cold
But I forgot more than you’ll ever know about her
Yeah, I forgot more than you'll ever know about her
VARIATIONS I Forgot More Than You'll Ever Know, Compared with the take released on Self Portrait, recorded 26 April 1969, Nashville, Tennessee, Columbia Recording Studio, 2nd Self Portrait session
I forgot more than you’ll ever know about her
You think you know the smile on her lips, the thrill at the touch of her fingertips
You think you know the smile on her lips, the tough of her hand and her tender lips 24 Feb 1986, Sydney
You think you know the smile on her lips, the tough of her hand and her tender kiss 8 March 1986, Nagoya
But I forgot more than you’ll ever know about her
You think you’ll find a heaven of bless, in each caress, in each tender kiss
But I forgot more than you’ll ever know about her
You stole her love from me one day, you didn’t care how it hurt me
You stole her love from me one day, you never cared how it hurt me 24 Feb 1986, Sydney
But you can never steal away, memories of what used to be
You think she’s yours to have and to hold, someday you’ll learn when her love grows cold
That I forgot more than you’ll ever know about her
I Forgot More Than You’ll Ever Know. 19690426, 860224, 860308, 860626, 860704, 860709, 860713, 860724, 860729, 860731
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
4 May 1965, London, England, Savoy Hotel, with Joan Baez. Released on The Bootleg Series Volume 12, collector's Edition, Disc 18
Blues, stay away from me, blues, stay away from me, don't know why you keep a-haunting me
Trouble is all I know, trouble is all I see since the blues started haunting me
Tears I never seen before, tears I never seen before, ever since the blues came in the door
Blues, stay away from me, blues, stay away from me, don't know why you keep a-haunting me
Blues Stay Away From Me. 19650504
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
4 May 1965, London, England, Savoy Hotel, with Joan Baez. Released on The Bootleg Series Volume 12, collector's Edition, Disc 18
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long
These blues have got me crying, sweet mama, please come home
The rain falls 'round my window, but it can't chill my heart
My dream world died the day you left my whole world fell apart
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long
These blues have got me crying, sweet mama, please come home
VARIATIONS Weary Blues From Waiting. Compared with the take released on The Bootleg Series Volume 12, recorded 4 May 1965, London, England, Savoy Hotel, with Joan Bae
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long
These blues have got me crying, sweet mama, please come home
The rain falls 'round my window, but it can't chill my heart
My dream world died the day you left my whole world fell apart
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long
These blues have got me crying, sweet mama, please come home
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long
These blues have got me crying, sweet mama, please come home
The rain falls 'round my window, but it can't chill my heart 18 April 1976, Lakeland
My dream world died the day you left my whole world fell apart 18 April 1976, Lakeland
I got the weary, weary blues from waiting, oh, Lord, I've been waiting too long 18 April 1976, Lakeland
These blues have got me crying, sweet mama, please come home 18 April 1976, Lakeland
Weary Blues From Waitin'. 19650504, 19760418
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
4 May 1965, London, England, Savoy Hotel, with Joan Baez. Released on The Bootleg Series Volume 12, collector's Edition, Disc 18
Just a deck of cards and a jug of wine, and a woman's lies make a life like mine
And, [???] too late to pray, started rollin' down that lost highway
I was just a lad, nearly twenty two, neither good nor bad, just a kid like you
And I got lost, too late to pray, I started went way down that lost highway
Now, boys don't start to ramble around, on this road of sin or you're sorrow bound
And you get lost, too curse the day, you started going down that lost highway
[talking]
I'm a rollin' stone, all alone and lost, for a life of sin, I have paid the cost
Take my advice.. you, or you'll curse the day, you started going down that lost highway
Lost Highway. 19650504
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
4 May 1965, London, England, Savoy Hotel, with Joan Baez. Released on The Bootleg Series Volume 12, collector's Edition, Disc 18
Hear that lonesome whippoorwill, sounds too blue to cry
That midnight train just rolled away, I'm so lonesome I could cry
[???]
The [???] is whining low, I'm so lonesome I could cry
11 May 1966, Capitol Theatre, Cardiff, Wales, Backstage before the concert. Released in film No Direction Home
Duet with Johnny Cash
Hear that lonesome whippoorwill, sounds too blue to cry
It means he lost the will to live, I'm so lonesome I could cry
I'm So Lonesome I Could Cry. 19650504, 19660511
Written by Bob Dylan in 1965, during the tour in England. In D A Pennebaker Don't Look Back. Song finished in 2017 by Jeff Leach. Mentioned in The Bridge
1965. Copyrighted in 1988, Mentioned By Paul Cable In Bob Dylan - His Unreleased Recordings
1965. Song registered as part of Highway 61 Interactive Cd Rom.
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
1965. Lyrics In The Bob Dylan Archive, Tulsa, Oklahoma
1965. Lyrics In Bob Dylan Archive, Tulsa, Oklahoma
First performed 4 May 1965, A Hotel Room, Savoy Hotel, London England
9 May 1965, London, Royal Albert Hall, Backstage. On Youtube
[???]
[???] baby, you're movin' way too fast
You gotta gimme little lovin', gimme little lovin'
I think you gonna love to dance
[???]
[???] baby what you're trying to do, slow down
[???] baby, you're movin' way too fast
You gotta gimme little lovin', gimme little lovin'
I think you gonna love to dance
Slow Down. 19650509
First performed 15 June 1965, New York City, New York
15 June 1965, New York City, New York, Studio A, The Highway 61 Revisited session #2. Released on The Bootleg Series Vol. 12
I paid one thousand twenty-seven hundred dollars and nineteen cents
I paid one million nineteen hundred and twenty-two dollars and fifteen cents
See my bulldog bite a rabbit and my hound dog is sitting on a barbed wire fence
Well a, this gal I got, I swear she's killing me alive
Yes, this gal I got, I swear she's killing me alive
She's makin' me into an old man and I am hardly even twenty-five
Well, my temperature rises and my feet you know they get so hot
Well, my temperature rises and my feet you know they get so hot
I went to the doctor, he gave me a shot but he wouldn't tell me what it is that I've got
Now if you go down to Houston, watch this girl her hair's pearly blue
Yes if you go down to Houston, watch this girl her hair's pearly blue
She's a hungry woman and she 'll really make a mess out of you
All right
I got this woman in L.A., she really makes the sweat run down my brow
I got this woman out L.A., she makes the sweat run down my brow
well, she's good alright, but she ain't as good as this guitar player I got right now
fade it out
15 June 1965, New York City, New York, New York City, New York, New York City, New York, Studio A, The Highway 61 Revisited session #3. Released on The Bootleg Series Vol. 2
I paid fifteen million dollars, twelve hundred and seventy-two cents
I paid one thousand two hundred twenty-seven dollars and fifty-five cents
See my bull dog bite a rabbit and my hound dog is sittin’ on a barbed-wire fence
Well, my temperature rises and my feet can't walk so hot
Yes, my temperature rises and my feet can't walk so hot
Well, this Arabian doctor comes in, gave me a shot but he wouldn’t tell me what it was that I got
Well, this woman I got, she's killing me alive
Yes, this woman I got, she's killing me alive
She's makin' me into an old man and man, I am not even twenty-five
Of course, you’re gonna think this song is a riff
I know you’re gonna think this song is just a cliff
Unless you’ve been inside a tunnel and fell down 69, 70 feet over a barbed-wire fence
VARIATIONS Sitting On A Barbed-Wire Fence. Compared to the version released on The Bootleg Series Vol. 2. Recorded 15 June 1965, The Highway 61 Revisited session #3
I paid fifteen million dollars, twelve hundred and seventy-two cents
I paid one thousand twenty-seven hundred dollars and nineteen cents 15 Jun 1965, H61RS #2
I paid one thousand two hundred twenty-seven dollars and fifty-five cents
I paid one million nineteen hundred and twenty-two dollars and fifteen cents 15 Jun 1965, H61RS #2
See my bull dog bite a rabbit and my hound dog is sittin’ on a barbed-wire fence
Well, my temperature rises and my feet can't walk so hot
Well, my temperature rises and my feet you know they get so hot 15 Jun 1965, H61RS #2
Yes, my temperature rises and my feet can't walk so hot
Well, my temperature rises and my feet you know they get so hot 15 Jun 1965, H61RS #2
Well, this Arabian doctor comes in, gave me a shot but he wouldn’t tell me what it was that I got
I went to the doctor, he gave me a shot but he wouldn't tell me what it is that I've got 15 Jun 1965, H61RS #2
Well, this woman I got, she's killing me alive
Well a, this gal I got, I swear she's killing me alive 15 Jun 1965, H61RS #2
Yes, this woman I got, she's killing me alive
Yes, this gal I got, I swear she's killing me alive 15 Jun 1965, H61RS #2
She's makin' me into an old man and man, I am not even twenty-five
She's makin' me into an old man and I am hardly even twenty-five 15 Jun 1965, H61RS #2
Now if you go down to Houston, watch this girl her hair's pearly blue 15 Jun 1965, H61RS #2
Yes if you go down to Houston, watch this girl her hair's pearly blue 15 Jun 1965, H61RS #2
She's a hungry woman and she 'll really make a mess out of you 15 Jun 1965, H61RS #2
I got this woman in L.A., she really makes the sweat run down my brow 15 Jun 1965, H61RS #2
I got this woman out L.A., she makes the sweat run down my brow 15 Jun 1965, H61RS #2
well, she's good alright, but she ain't as good as this guitar player I got right now 15 Jun 1965, H61RS #2
Of course, you’re gonna think this song is a riff
I know you’re gonna think this song is just a cliff
Unless you’ve been inside a tunnel and fell down 69, 70 feet over a barbed-wire fence
[Verse not sung] 15 Jun 1965, H61RS #2
Sitting On A Barbed Wire Fence. 19650615#2#3
First performed 15 June 1965, New York City, New York
16 June 1965, New York City, New York, Columbia Recording Studios, Studio A, The 2nd Highway 61 Revisited session #4. Released on Highway 61 Revisited
Once upon a time you dressed so fine, threw the bums a dime in your prime, didn’t you?
People ’d call, say, Beware doll, you’re bound to fall, you thought they were all kiddin’ you
You used to laugh about everybody that was hangin’ out, now you don’t talk so loud
Now you don’t seem so proud about having to be scrounging your next meal
How does it feel, how does it feel, to be without a home
Like a complete unknown, like a rolling stone?
Ah, you’ve gone to the finest school all right, Miss Lonely but you know you only used to get juiced in it
Nobody 's ever taught you how to live out on the street and now you gonna have to get used to it
You said you’d never compromise with the mystery tramp, but now you realize
He’s not selling any alibis as you stare into the vacuum of his eyes and say, Do you want to make a deal?
How does it feel, how does it feel, to be on your own
With no direction home, a complete unknown, like a rolling stone?
Ah, you never turned around to see the frowns on the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good, you shouldn’t let other people get your kicks for you
You used to ride on the chrome horse with your diplomat, who carried on his shoulder a Siamese cat
Ain’t it hard when you discover that he really wasn’t where it’s at after he took from you everything he could steal
How does it feel, how does it feel
To am on your own, with no direction home, like a complete unknown, like a rolling stone?
Ah, princess on the steeple and all the pretty people they are drinkin’, thinkin’ that they got it made
Exchanging all precious gifts but you’d better take your diamond ring, you’d better pawn it babe
You used to be so amused at Napoleon in rags and the language that he used
Go to him now, he calls you, you can’t refuse
When you ain't got nothing, you got nothing to lose, you’re invisible now, you got no secrets to conceal
How does it feel, ah, how does it feel
To be on your own, with no direction home, like a complete unknown, like a rolling stone?
31 August 1969, Isle of Wight. Released on The Bootleg Series Volume 10
Once upon a time you dressed so fine, threw the bums a dime in your prime, didn’t you?
People ’d call, say, Beware doll, you’re bound to fall, you thought they were all kiddin’ you
Now you don't seem so proud, about everybody that was hangin’ out
Now you don’t talk so loud, now you don't [???] so loud
About having to be scrounging around, scrounging around for your next meal
How does it feel, how does it feel, to be without a home, with no direction home
Like a complete unknown, like a rolling stone?
Ah, you’ve gone to the finest school all right, Miss Lonely but you know you only used to get juiced in it
Nobody 's ever taught you how to live out on the street and now you better how you gonna have to get used to it
You said you’d never compromise with the mystery tramp, [???] in his eyes
into the vacuum of his eyes, and you stare in the vacuum of his eyes
And say would you like to, come on now would you like to come on to make a deal
How does it feel, how does it feel, to be without a home, like a complete unknown
With no direction home, like a rolling stone?
Princess on the steeple and all the pretty people they are thinkin’ that they got it made
Exchanging all precious gifts and things but you’d better take your diamond ring now, you’d better pawn it babe
You used to be so amused at Napoleon in rags and the language that he used
Go to him now, he calls you, you can’t refuse
When you ain't got nothing, girl, you aint got nothing to lose, you’re invisible now, you got no secrets to conceal
How does it feel, how does it feel, to be without a home, with no direction home
Like a complete unknown, like a rolling stone, like a rolling stone, just like a rolling stone
like a rolling stone, like a rolling stone
VARIATIONS Like A Rolling Stone. Compared with the take released on Highway 61 Revisited. Recorded 16 June 1965, The 2nd Highway 61 Revisited session #4
Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you
People ’d call, say, beware doll, you’re bound to fall
People 'd call, say, beware doll 3 Aug 1986, Los Angeles
You thought they were all kiddin’ you
You thought they were all, what? 11 Nov 1981, Cincinnati
You used to laugh about everybody that was hangin’ out
You used to make fun about everybody that was hangin’ out 15 Jun 1965, H61RS #4
You used to laugh about what [???] that was hanging out 7 June 1984, Brussels
You said you're never hanging out, everybody that was hanging out 13 July 1986, Saratoga Springs
Now you don’t talk so loud, now you don’t seem so proud
Now you don't seem so proud, now you don't talk so loud 26 June 1986, Minneapolis
About having to be scrounging your next meal
About having to be scrounging around for your next meal 17 May 1966, Manchester
About having to be scrounging around to make your next meal 9 Feb 1974, Seattle evening
How does it feel, how does it feel
To be without a home, like a complete unknown
To be out on your own, so unknown 15 Jun 1965, H61RS #4
To be on your own, without a home, like a complete unknown 16 Jun 1965, H61RS #1
To be on your own, with no direction home, like a complete unknown 6 Feb 1966, Pittsburg
To be without a home, with no direction home, like a complete unknown 10 Jan 1974, Toronto
To be without a home, like a complete unknown, with no direction home 9 Feb 1974, Seattle evening
Like a rolling stone
Ah, you’ve gone to the finest school all right, Miss Lonely
But you know you only used to get juiced in it
Nobody 's ever taught you how to live out on the street
You never [???] on the street 19 May 1966, Glasgow
No one 's ever taught you how to live out on the street 10 Nov 1978, Seattle
And now you gonna have to get used to it
And you find out now, you gonna have to get used to it 5 May 1966, Dublin
Right now, now you're gonna have to get used to it 28 May 1984, Verona
And you gonna right now, you're gonna have to get used to it 3 Jun 1984, Munich
You said you’d never compromise
You used to a [???mise] 1 Jan 1972, New York City
Used to say you never compromise 12 Nov 1981, Houston
With the mystery tramp, but now you realize
With the mystery tramp with [???] in his eyes 1 Jan 1972, New York City
With the mystery tramp with his alibies 3 Jan 1974, Chicago
He’s not selling any alibis as you stare into the vacuum of his eyes
Now you [???], he’s not selling any alibis [???] 1 Jan 1972, New York City
And say, do you want to make a deal
To you like you earned your next meal 1 Jan 1972, New York City
would you like to, would you like to make a deal 14 Feb 1974 Los Angeles afternoon
And say are you ready to make a deal Jan 1978 #1, Santa Monica
How does it feel, how does it feel, to be on your own
With no direction home, a complete unknown, like a rolling stone, like a rolling stone
Ah, you never turned around to see the frowns on the jugglers and the clowns
[Oh you gonna] see the frown on the jugglers and the clows 25 July 1981, Avignon
Never turned around to see the jugglers and the clowns 3 Aug 1986, Los Angeles
When they all did tricks for you
When they come down to do tricks for you 16 Jun 1965, H61RS #8
When they all come down to do tricks for you 21 May 1966, Newcastle
You never understood that it ain’t no good
Don't you know others get there 3 Aug 1986, Los Angeles
You shouldn’t let other people get your kicks for you
You can't let other people get your kicks for you 4 Jan 1974, Chicago, Illinois
You should never let other people get your kicks for you 20 June 1978, London
Don't you know somebody else get your true kicks for you 3 Aug 1986, Los Angeles
You used to ride on the chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Carrying on his shoulder a Siamese cat 16 November 1980, San Francisco
Ain’t it hard when you discover that he really wasn’t where it’s at
Ain’t it hard now you discover that he really wasn’t where it’s at 16 Jun 1965, H61RS #8
After he took from you everything he could steal
After he's taken everything, he can steal 16 Jun 1965, H61RS #8
After he's taken off you everything he could steal 4 Jan 1974, Chicago, Illinois
After he's taken everything away that he can steal Jan 1978, #1, Santa Monica
After he's taken everything from you that he can steal 28 Feb 1978, #1, Tokyo
After he's taken everything he can possibly steal 29 June 1981, London
How does it feel, how does it feel, to be on your own
With no direction home, a complete unknown, like a rolling stone?, Like a rolling stone? Many variations
Ah, princess on the steeple and all the pretty people they are drinkin’, thinkin’ that they got it made
Pretty people drinkin' thinkin' that the got it made 26 June 1986, Minneapolis
Exchanging all precious gifts
Exchanging all precious gifts and things 6 Feb 1966, Pittsburgh
you’d better take your diamond ring and things babe 25 Jul 1965, Newport Folk Festival
you’d better take your diamond ring down 20 May 1966, Edinburgh
Exchanging all precious gifts and things 3 Jan 1974, Chicago, Illinois
But you’d better take your diamond ring down
You’d better pawn it babe
And pawn it babe 4 Jan 1974, Chicago, Illinois
[Making money babe] 11 Nov 1981, Cincinnati
You used to be so amused at Napoleon in rags and the language that he used
Go to him now, he calls you, you can’t refuse
When you ain't got nothing, you got nothing to lose, you’re invisible now, you got no secrets to conceal
How does it feel, how does it feel, to be without a home, with no direction home
Like a complete unknown, like a rolling stone, like a rolling stone, just like a rolling stone
like a rolling stone, like a rolling stone
Like A Rolling Stone. 650615#4#5, 650616#1-#8-15, 650725, 650828, 650903, 651030inc, 651212, 660206, 660501, 660505, 660506, 660510, 660511, 660512, 660514, 660515, 660517, 660519, 660520, 660521, 660524, 660526, 660527, 690831, 720101, 740103,19740104, 740110, 740209eve, 740211, 740214aft, 740214eve, 760422eve, 771230, 7801??#1#2, 780228, 780301, 780302, 780602, 780620, 780623, 780701, 780704, 780706, 780715, 780919, 781020, 781110, 781115, 781210, 800627, 801116, 810629, 810710, 810710, 811104, 811112, 840528, 840529, 840531, 840603, 840604, 840606, 840607, 840609, 840610, 840611, 840613, 840614, 840616, 840617, 840619, 840620, 840621, 840624, 840626, 840628, 840630, 840701, 840703, 840705, 840707, 840708, 860224, 860225, 860308, 860626, 860704, 860709, 860713, 860724, 860729, 860803
First performed 24 July 1965, Newport, Rhode Island
29 July 1965, New York City, New York, New York City, New York, New York City, New York, Studio A, The Highway 61 Revisited session #12. Released on Highway 61 Revisited
The sweet pretty things are in bed now of course. The city fathers they are trying to endorse
The reincarnation of Paul Revere’s horse but the town has no need to be nervous
The ghost of Belle Starr she hands down her wits to Jezebel the nun she violently knits
A bald wig for Jack the Ripper who sits at the head of the chamber of commerce
Mama ’s in the fact’ry, she ain't got no shoes, daddy ’s in the alley, he’s lookin' for food
I’m in the kitchen with the tombstone blues
The hysterical bride in the penny arcade, screaming she moans, I’ve just been made
Then sends out for the doctor who pulls down the shade and says, My advice is to not let the boys in
Now the medicine man comes and he shuffles inside, he walks with a swagger and he says to the bride
Stop all this weeping, swallow your pride, you will not die, it’s not poison
Mama 's in the fact’ry, she ain’t got no shoes, daddy 's in the alley, he's looking for food
I’m in the kitchen with the tombstone blues
Well, John the Baptist after torturing a thief looks up at his hero the Commander-in-Chief
Saying, Tell me great hero, but please make it brief, is there a hole for me to get sick in?
The Commander-in-Chief answers him while chasing a fly
Saying, Death to all those who would whimper and cry
And dropping a barbell he points to the sky, saying, The sun’s not yellow it’s chicken
Mama ’s in the factory, she ain’t got no shoes, daddy ’s in the alley, he’s looking for food
I’m in the kitchen with the tombstone blues
The king of the Philistines his soldiers to save puts jawbones on their tombstones and flatters their graves
Puts the pied pipers in prison and fattens the slaves, then sends them out to the jungle
Gypsy Davey with a blowtorch he burns out their camps with his faithful slave Pedro behind him he tramps
With a fantastic collection of stamps to win friends and influence his uncle
Mama 's in the fact’ry, she ain’t got no shoes, daddy 's in the alley, he's looking for food
I’m in trouble with the tombstone blues
The geometry of innocent flesh on the bone causes Galileo’s math book to get thrown
At Delilah who 's sitting worthlessly alone, but the tears on her cheeks are from laughter
I wish I could give Brother Bill his great thrill, I would set him in chains at the top of the hill
Then send out for some pillars and Cecil B. DeMille, he could die happily ever after
Mama’s in the factory, she ain’t got no shoes, daddy’s in the alley, he’s looking for food
I’m in the kitchen with the tombstone blues
Where Ma Rainey and Beethoven once unwrapped their bedroll, tuba players now rehearse around the flagpole
And the National Bank had a profit, sells road maps for the soul to the old folks home and the college
I wish I could write you a melody so plain that could hold you dear lady from going insane
That could ease you and cool you and cease the pain of your useless and pointless knowledge
Mama 's in the factory, she ain’t got no shoes, daddy 's on the alley, he’s looking for food
I’m in the kitchen with the tombstone blues
VARIATIONS Tombstone Blues. Compared with the take released on Highway 61 Revisited. Recorded 29 July 1965, The Highway 61 Revisited session #12
The sweet pretty things are in bed now of course
The city fathers they are trying to endorse
The city fathers they are planning to endorse 29 July 1965, H61RS #4
The reincarnation of Paul Revere’s horse
But the town has no need to be nervous
The ghost of Belle Starr she hands down her wits
To Jezebel the nun, she violently knits
A bald wig for Jack the Ripper who sits
At the head of the chamber of commerce
Mama ’s in the factory, she ain't got no shoes
[All Choruses left out] 24 Jul 1965, Newport (workshop)
Mama ’s in the kitchen, she ain't got no shoes 28 Jul 1965, Forrest Hills, NYC
Mama ’s in the fact’ry, she's carrrying a fuse 29 July 1965, H61RS #1
Mama's in they alley, she ain't got no shoes 28 May 1984, Verona
Daddy ’s in the alley, he’s ain't got no shoes
Daddy ’s in the factory, he’s lookin' for food 28 Jul 1965, Forrest Hills, NYC
Daddy ’s in the alley, he’s lookin' for food 29 July 1965, H61RS #1
Daddy's in the alley, he's lighting the fuse 29 July 1965, H61RS #4
Daddy’s in the alley, he’s looking for the fuse 12 Dec 1965, San José
Daddy's in the factory looking for the fuse 28 May 1984, Verona
Daddy's in a trouble and he looks for the fuse 31 May 1984, Hamburg
Dad's in the kitchen, looking for the fuse 7 June 1984, Brussels
Daddy's in the hallway looking hard for the fuse 26 June 1984, Madrid
I’m in the kitchen with the tombstone blues
I’m in the streets with the tombstone blues 12 Dec 1965, San José
The hysterical bride in the penny arcade
The screaming bride in the penny arcade 24 Jul 1965, Newport (workshop)
Screaming she moans, I’ve just been made
Then sends out for the doctor who pulls down the shade
Sends out for the doctor who pulls down the shade 29 July 1965, H61RS #9
And says, my advice is to not let the boys in
Saying, please don't let the boys in 8 July 1984, Slane
Now the medicine man comes and he shuffles inside
Then the medicine man comes and he shuffles inside 29 July 1965, H61RS #1
He walks with a swagger and he says to the bride
Stop all this weeping, swallow your pride
You will not die, it’s not poison
Mama 's in the fact’ry, she ain’t got no shoes
Daddy's 's in the fact’ry, he ain’t got no shoes 29 July 1965, H61RS #1
Mama's in the alley, she ain't got no shoes 28 May 1984, Verona
Mama's in the factory looking high for the fuse 24 June 1984, Milan
Daddy 's in the alley, he's looking for food
Daddy's in the alley, he's lighting the fuse 29 July 1965, H61RS #4
Mamma 's in the alley, she's lighting the fuse 29 July 1965, H61RS #9
Daddy’s [vanished, Venus], he’s looking for the fuse
Dad's in the alley looking for the fuse 28 May 1984, Verona
[Daddy's in the backroom looking [high] for the fuse] 31 May 1984, Hamburg
Daddy's in the kitchen looking hard for the fuse 2 June 1984, Basel
Daddy's in the [corner] looking for the fuse 4 Jun 1984, Rotterdam
Daddy's in the alley looking hard for the fuse 9 June 1984, Gothenburg
Daddy's in the hallway looking high for the fuse 26 June 1984, Madrid
I’m in the kitchen with the tombstone blues
I’m in the street with the Tombstone blues 12 Dec 1965, San José
Well, John the Baptist after torturing a thief
The blacksmith and the boy scout after torturing a thief 24 Jul 1965, Newport(workshop)
The blacksmith with fracles after torturing a thief 29 July 1965, H61RS #1
Wow, John the blacksmith after torturing a thief 29 July 1965, H61RS #4
Ah, John the Blacksmith, he's torturing a thief 29 July 1965, H61RS #9
Looks up at his hero the Commander-in-Chief
Says to the hero, the Commander-in-Chief 29 July 1965, H61RS #9
Saying, tell me great hero, but please make it brief
Tell me great hero, but please make it brief 29 July 1965, H61RS #9
Is there a hole for me to get sick in?
Is there a hole for us to get sick in? 24 Jul 1965, Newport (workshop)
The Commander-in-Chief answers him while chasing a fly
The Commander-in-Chief answers while pounding a fly 24 Jul 1965, Newport(workshop)
The commander-in-Chief answers while chasing a fly 29 July 1965, H61RS #10
Saying, death to all those who would whimper and cry
Saying, death to all those that whimper and cry 29 July 1965, H61RS #1
And dropping a barbell he points to the sky
Saying, the sun’s not yellow it’s chicken
Mama ’s in the factory, she ain’t got no shoes
Mama 's in the kitchen she ain't wearing no shoes 29 July 1965, H61RS #1
Mama's in the alley, she ain't got no shoes 4 Jun 1984, Rotterdam
Daddy ’s in the alley, he’s looking for food
Daddy ’s in the factory, he’s lighting the fuse 29 July 1965, H61RS #1
Daddy's in the alley, he's lighting a fuse 29 July 1965, H61RS #4
Daddy ’s in the alley, he’s looking for the food 29 July 1965, H61RS #9
Dad's in the kitchen looking for the food 28 May 1984, Verona
Daddy's in the backroom looking for the fuse 31 May 1984, Hamburg
Daddy's in the factory looking for the fuse 4 Jun 1984, Rotterdam
Dad's in the kitchen looking hard for the fuse 9 June 1984, Gothenburg
Daddy's in the hallway looking high for the fuse 26 June 1984, Madrid
I'm in the alley with the tombstone blues
I’m in the alley, I [can not do] 29 July 1965, H61RS #1
I'm in the kitchen'I got the tombstone blues 29 July 1965, H61RS #10
I'm in the kitchen with the tombstone blues 28 May 1984, Verona
The king of the Philistines his soldiers to save
Puts jawbones on their tombstones and flatters their graves
Puts the pied pipers in prison and fattens the slaves
Puts the pied pipers in prison and he fattens the slaves 29 July 1965, H61RS #1
Sends the pied pipers to prison and fattens the slaves 24 Jul 1965,Newport (workshop)
Then sends them out to the jungle
Gypsy Davey with a blowtorch he burns out their camps
With his faithful slave Pedro behind him he tramps
With a fantastic collection of stamps
With a thousand-dollar collection of stamps 24 Jul 1965, Newport(workshop)
To win friends and influence his uncle
Mama 's in the fact’ry, she ain’t got no shoes
Daddy 's in the fact’ry, he ain’t wearing no shoes 29 July 1965, H61RS #1
Daddy 's in the alley, he's looking for food
Mama 's in the alley, she's ligting the fuse 29 July 1965, H61RS #1
Daddy's in the alley, he's lighting the fuse 29 July 1965, H61RS #4
I’m in trouble with the tombstone blues
I’m in the kitchen with the tombstone blues 29 July 1965, H61RS #1
The geometry of innocent flesh on the bone
Causes Galileo’s math book to get thrown
Keeps Galileo busy while his math book gets thrown 24 Jul 1965, Newport (workshop)
Gets Galileo’s math book is thrown 29 July 1965, H61RS #1
Causes Galileo's math book to be thrown 29 July 1965, H61RS #4
At Delilah who 's sitting worthlessly alone
In lazy Delilah lap who sits worthlessly alone 24 Jul 1965, Newport (workshop)
At Delilah who sits there worthlessly alone 12 Dec 1965, San José
But the tears on her cheeks are from laughter
I wish I could give Brother Bill his great thrill
She wishes she could give Brother Bill his great thrill 24 Jul 1965, (workshop)
I wish I could give you your wish Brother Bill 3 Sep 1965, Los Angeles
I would set him in chains at the top of the hill
I would set you in chains at the top of the hill 3 Sep 1965, Los Angeles
Then send out for some pillars and Cecil B. DeMille
He could die happily ever after
Mama’s in the factory, she ain’t got no shoes
Mama’s in the kitchen, she ain’t wearing no shoes 29 July 1965, H61RS #1
Mama's in the kitchen', she ain't got no shoes 29 July 1965, H61RS #4
Daddy’s in the [???], he’s lighting the fuse
Daddy's in the alley, he's carrying a fuse 29 July 1965, H61RS #4
Daddy's in the alley, he's looking for food 29 July 1965, H61RS #11
I’m in the [street with Venus], looking for the fuse 12 Dec 1965, San José
I’m in the factory with the tombstone blues
I’m in the street with the tombstone blues 12 Dec 1965, San José
I'm in the kitchen with the tombstone blues 29 July 1965, H61RS #11
Where Ma Rainey and Beethoven once unwrapped their bedroll
Well, I wish I could write you a melody so plain 29 May 1984, Verona
[Ma Rainey and Beethoven once [???] [for me] 31 May 1984, Hamburg
Where Ma Rainey once unwrapped a bedroll 4 Jun 1984, Rotterdam
Tuba players now rehearse around the flagpole
And the National Bank had a profit, sells road maps for the soul
And the National Bank 's selling road maps for the soul 29 July 1965, H61RS #1
[???] roadmaps for the soul 31 May 1984, Hamburg
To the old folks home and the college
I wish I could write you a melody so plain
That could hold you dear lady from going insane
That easy you, dear lady, for going insane 28 May 1984, Verona
That could ease you and cool you and cease the pain
That could ease you and calm you and cease the pain 24 Jul 1965, Newport(workshop)
That could cool you and ease you and cease the pain 29 July 1965, H61RS #1
To ease you and cool you and cease the pain 19 June 1984, Copenhagen
Of your useless and pointless knowledge
Of your pointless and useless knowledge 29 July 1965, H61RS #9
Mama 's in the factory, she ain’t got no shoes
Daddy 's in the kitchen, he ain't got no shoes 29 July 1965, H61RS #1
Mama 's in the alley, she ain't got no shoes 19 June 1984, Rome
Daddy 's on the alley, he’s looking for food
Mama's on the factory, she is lighting the fuse 29 July 1965, H61RS #1
Daddy's in the alley, he's lighting a fuse 29 July 1965, H61RS #4
Daddy’s in the ice box, he’s looking for the fuse 12 Dec 1965, San José
Dad's in the kitchen looking for the fuse 28 May 1984, Verona
Daddy's in the [???] looking high for the fuse 31 May 1984, Hamburg
Daddy's in the factory looking for the fuse 3 Jun 1984, Munich
Dad's in the cabin looking for the fuse 4 Jun 1984, Rotterdam
Daddy's in the hallway looking hard for the fuse 10 June 1984, Copenhagen
I’m in the kitchen with the tombstone blues
Tombstone Blues. 19650724, 19650729#1-14, 19650828, 19650309inc, 19651030, 19651029or31, 19651212, 19840528, 840529, 840531, 840602, 840603, 840604, 840607, 840609, 840610, 840611, 840613, 840614, 840616, 840619, 840620, 840621, 840624, 840626, 840628, 840630, 840701, 840705, 840707, 840708, 20210518
First performed 29 July 1965, New York City, New York
29 July 1965, New York City, New York, New York City, New York, New York City, New York, Studio A, The Highway 61 Revisited session #12. Released on Bob Dylan's Greatest Hits
You got a lotta nerve to say you are my friend
When I was down you just stood there grinning
You got a lotta nerve to say you got a helping hand to lend
You just want to be on the side that’s winning
You say I let you down, you know it’s not like that
If you’re so hurt why then don’t you show it
You say you lost your faith but that’s not where it’s at
You have no faith to lose and you know it
I know the reason that you talk behind my back
I used to be among the crowd you’re in with
Do you take me for such a fool to think I'd make contact
With the one who tries to hide what he don't know to begin with
You see me on the street, you always act surprised
You say, How are you? Good luck, but you don’t mean it
When you know as well as me you’d rather see me paralyzed
Why don’t you just come out once and scream it
No I do not feel that good when I see the heartbreaks you embrace
If I was a master thief, perhaps I’d rob them
And 'though I know you are dissatisfied with your position and your place
Don’t you understand, it’s not my problem
I wish that for just one time you could stand inside my shoes
And just for that moment I could be you
Yes, I wish that for just one time you could stand inside my shoes
You’d know what a drag it is to see you
VARIATIONS Positively 4th Street. Compared with the take released on Highway 61 Revisited, recorded 29 July 1965, The Highway 61 Revisited session #12
You got a lotta nerve to say you are my friend
When I was down you just stood there grinning
You got a lotta nerve to say you got a helping hand to lend
You just want to be on the side that’s winning
You say I let you down, you know it’s not like that
You say I let you down, but that's not like that 29 July 1965, H61RRS #7
You say I let you down, but it's not like that 29 July 1965, H61RRS #8
You say you lost your faith in me, I can not be thee.. 29 July 1965, H61RRS #10
If you’re so hurt why then don’t you show it
You say you lost your faith but that’s not where it’s at
You say you lost your faith, but you know it’s not like that 30 Oct 1965, Hartford
You [???], it’s not where it is 25 Jan 1976, Houston
You say you lost your fait, that can't be where it's at 13 July 1986, Saratoga Springs
You have no faith to lose and you know it
You have no faith in yourself 29 July 1965, H61RRS #4
I know the reason that you talk behind my back
I used to be among the crowd you’re in with
Do you take me for such a fool to think I'd make contact
Do you think I'm such a fool to think I'd make contact 29 July 1965, H61RRS #4
Do you take me for such a fool as to make contact 29 July 1965, H61RRS #8
Do you think I go around making contact 12 Dec 1965, San José
Do you take me for such a fool to think I try to make contact 24 Feb 1986, Sydney
With the one who tries to hide what he don't know to begin with
You see me on the street, you always act surprised
You see me on the streets and you always act surprised 29 July 1965, H61RRS #8
You say, How are you, Good luck, but you don’t mean it
When you know as well as me
You’d rather see me paralyzed
You'd like to see me paralyzed 29 July 1965, H61RRS #8
You just want to see me paralyzed 6 Feb 1966, Pittsburgh
You’d just as soon see me paralyzed 12 Dec 1965, San José
Why don’t you just come out once and scream it
Why don’t you just come out one time and scream it 25 Jan 1976, Houston
No I do not feel that good when I see the heartbreaks you embrace
No I don't feel that good when I the problems that you… 29 July 1965, H61RRS #8
If I was a master thief, perhaps I’d rob them
And 'though I know you are dissatisfied with your position and your place
Though you're dissatisfied with your position and your place 9 July 1986, Mansfield
Don’t you understand, it’s not my problem
I wish that for just one time you could stand inside my shoes
And just for that moment I could be you
And just for that minute 29 July 1965, H61RRS #5
And just for one little moment, just one moment I could be you 23 Jan 1976, Clearwater
And just for that one moment I could be you 13 July 1986, Saratoga Springs
Yes, I wish that for just one time you could stand inside my shoes
Yes, I wish there's oh one time you could stand inside my shoes 23 Jan 1976, Clearwater
You’d know what a drag it is to see you
Positively 4th Street. 19650729#1-#16, 19651030, 19651212, 19660205, 19660206, 19660413, 19760123, 19760125, 860224, 860308, 860626, 860704, 860709, 860713
First performed 29 July 1965, New York City, New York
4 August 1965, New York City, New York, Columbia Recording Studios, Studia A #5, The 6th Highway 61 Revisited session. Released on Highway 61 Revisited
They’re selling postcards of the hanging, they’re painting the passports brown
The beauty parlor is filled with sailors, the circus is in town
Here comes the blind commissioner, they’ve got him in a trance
One hand is tied to the tight-rope walker, the other is in his pants
And the riot squad they’re restless, they need somewhere to go
As Lady and I look out tonight from Desolation Row
Cinderella, she seems so easy, It takes one to know one, she smiles
And puts her hands in her back pockets, Bette Davis style
And in comes Romeo, he's moaning, You Belong to Me I Believe
And someone says you're in the wrong place my friend, you better leave
And the only sound that’s left, after the ambulances go
Is Cinderella sweeping up on Desolation Row
Now the moon is almost hidden, the stars are beginning to hide
The fortune-telling lady has even taken all her things inside
All except for Cain and Abel and the hunchback of Notre Dame
Everybody is making love or else expecting rain
And the Good Samaritan he's dressing, he’s getting ready for the show
He’s going to the carnival tonight on Desolation Row
Ophelia, she’s ’neath the window, for her I feel afraid
On her twenty-second birthday she already is an old maid
To her, death is quite romantic, she wears an iron vest
Her profession 's her religion, her sin is her lifelessness
And though her eyes are fixed upon Noah’s great rainbow
She spends her time peeking into Desolation Row
Einstein, disguised as Robin Hood with his memories in a trunk
Passed this way an hour ago with his friend, a jealous monk
Now, he looked so immaculately frightful as he bummed a cigarette
And he went off sniffing drainpipes and reciting the alphabet
You would not think to look at him but he was famous long ago
For playing the electric violin upon Desolation Row
Dr. Filth, he keeps his world inside of a leather cup
But all his sexless patients they are trying to blow it up
Now his nurse, some local loser, she’s in charge of the cyanide hole
And she also keeps the cards that read, have Mercy on his Soul
They all play on the pennywhistle, you can hear them blow
If you lean your head out far enough from Desolation Row
Across the street they have nailed the curtains, they are getting ready for the feast
The Phantom of the Opera in a perfect image of a priest
He is spoon feeding Casanova to get him to feel more assured
Then they'll kill him with self-confidence after poisoning him with words
And the Phantom’s shouting to skinny girls, Get Out A Here if You Don’t Know
Casanova is just being punished for going to Desolation Row
At midnight all the agents and the superhuman crew
Come out and round up everyone that knows more than they do
Then they bring them to the factory where the heart-attack machine
Is strapped across their shoulders and then the kerosene
Is brought down from the castles by insurance men who go
Check to see that nobody is escaping to Desolation Row
Praise be to Nero’s Neptune the Titanic sails at dawn
Everybody is shouting, Which Side Are You On?
And Ezra Pound and T. S. Eliot, fighting in the captain’s tower
While calypso singers laugh at them and fishermen hold flowers
Between the windows of the sea where lovely mermaids flow
And nobody has to think too much about Desolation Row
Yes, I received your letter yesterday about the time the doorknob broke
When you asked me how I was doing, was that some kind of joke?
All these people that you mention, yes, I know them, they’re quite lame
I had to rearrange their faces and give them all another name
Right now, I can't read too good don't send me no more letters, no
Not unless you mail them from Desolation Row
VARIATIONS Desolation Row. Compared with the take released on Highway 61 Revisited. Recorded 4 August 1965, The 6th Highway 61 Revisited sessions #5
They’re selling postcards of the hanging, they’re painting the passports brown
The beauty parlor is filled with sailors, the circus is in town
Here comes the blind commissioner, they’ve got him in a trance
One hand is tied to the tight-rope walker, the other is in his pants
One hand is tied to the tight-rope walker, the other is nailed in his pants 29 July 1965, H61RS #1
One hand is tied to the tight-rope walker, [?] under his pants 26 Feb 1966, New York ?
And the riot squad they’re restless, they need somewhere to go
And the riot squad they’re restless, they do somewhere to go 26 Feb 1966, New York ?
As Lady and I look out tonight from Desolation Row
Cinderella, she seems so easy, It takes one to know one, she smiles
And puts her hands in her back pockets, Bette Davis style
And puts her hands into her back pockets, Bette Davis style 16 May 1966, Sheffield
And in comes Romeo, he's moaning, you belong to me I believe
And someone comes in, screaming, you belong to me I believe 29 July 1965, H61RS #1
And here comes Romeo, moaning, you belong to me I believe 2 Aug 1965, H61RS #5
And someone says you're in the wrong place my friend, you better leave
And someone says, I'm sorry my friend, but I'm afraid you'd better leave 29 July 1965, H61RS #1
And someone turns and says to him, my friend you better leave 2 Aug 1965, H61RS #5
And the only sound that’s left, after the ambulances go
Is Cinderella sweeping up on Desolation Row
Now the moon is almost hidden, the stars are beginning to hide
Now the moon is almost hidden, the stars they pretend to hide 29 July 1965, H61RS #1
Now the moon is almost hidden, the stars they begin to hide 2 Aug 1965, H61RS #5
Now the moon is almost hidden, the stars they just pretending to hide 16 May 1966, Sheffield
The fortune-telling lady has even taken all her things inside
Even the fortune-telling lady has taken all her things inside 2 Aug 1965, H61RS #5
All except for Cain and Abel and the hunchback of Notre Dame
Everybody is making love or else expecting rain
Everybody else is a making love or else expecting rain 29 July 1965, H61RS #1
Everybody else is making love or else expecting rain 2 Aug 1965, H61RS #5, 4 Aug 1965, H61RS #3
Everybody is making love or else expecting rain 4 Aug 1965, on Highway 61 Revisited #5 ?
Everybody is either making love or else expecting rain 19 Apr 1966, Melbourne
Everyone is either making love or else expecting rain 5 May 1966, Dublin
And the Good Samaritan he's dressing, he’s getting ready for the show
He’s going to the carnival tonight on Desolation Row
He’s going to the carnival on Desolation Row 2 Aug 1965, H61RS #5
Ophelia, she’s ’neath the window, for her I feel so afraid
On her twenty-second birthday she already is an old maid
On her twentieth birthday she already is an old maid 29 July 1965, H61RS #1
To her, death is quite romantic, she wears an iron vest
Her profession 's her religion, her sin is her lifelessness
And though her eyes are fixed upon Noah’s great rainbow
And though she always looks upon Noah’s rainbow 29 July 1965, H61RS #1, 2 Aug 1965, H61RS #5
She spends her time peeking into Desolation Row
Einstein, disguised as Robin Hood with his memories in a trunk
Einstein, disguised as Robin Hood with his memories in his trunk 29 July 1965, H61RS #1
Passed this way an hour ago with his friend, a jealous monk
Passed this way an hour ago with his friend, some jealous monk 5 May 1966, Dublin
Now, he looked so immaculately frightful as he bummed a cigarette
He looked so immaculate 29 July 1965, H61RS #1
He looks so immaculately frightful 2 Aug 1965, H61RS #5
He looked so immaculately frightful 4 Aug 1965, H61RS #2
And he went off sniffing drainpipes and reciting the alphabet
You would not think to look at him but he was famous long ago
For playing the electric violin upon Desolation Row
For playing the electric violin on Desolation Row 19 May 1966, Glasgow
Dr. Filth, he keeps his world inside of a leather cup
Dr. Filth, he keeps his world inside of his leather cup 29 July 1965, H61RS #1
Dr. Filth, he keeps his world locked inside of his leather cup 14 May 1966, Liverpool
But all his sexless patients, they are trying to blow it up
But all his sexless patients, they’re planning to blow it up 29 July 1965, H61RS #1
Now his nurse, some local loser, she’s in charge of the cyanide hole
And she also keeps the cards that read, have mercy on his soul
She's also in charge of the cards that read, have mercy on his soul 29 July 1965, H61RS #1
They all play on the pennywhistle, you can hear them blow
They all play the pennywhistle, you can hear them blow 29 July 1965, H61RS #1
If you lean your head out far enough from Desolation Row
Across the street they have nailed the curtains, they are getting ready for the feast
Across the street they’ve closed the curtains… 29 July 1965, H61RS #1
The Phantom of the Opera in a perfect image of a priest
The Phantom of the Opera, a perfect image of a priest 29 July 1965, H61RS #1
A Phantom of the Opera in a perfect image of a priest 4 Aug 1965, H61RS #3
He is spoon feeding Casanova to get him to feel more assured
Now, he's spoon feeding Casanova the boiled guts of birds 29 July 1965, H61RS #1
He is spoon feeding Casanova the guts of birds 2 Aug 1965, H61RS #5
They are spoon feeding Casanova to get him to feel more assured 26 Feb 1966, Hempstead
Then they'll kill him with self-confidence after poisoning him with words
Then he'll torture him with self-confidence after poisoning him with words 29 July 1965, H61RS #1
Then he'll club him with self-confidence and poison him with words 2 Aug 1965, H61RS #5
He will kill him with self-confidence after poisoning him with words 4 Aug 1965, H61RS #3
And the Phantom’s shouting to skinny girls, get out a here if you don’t know
And the Phantom shouts to skinny girls, get out if you don’t know 29 July 1965, H61RS #1
And the Phantom shouts to skinny girls, get out of here if you don’t know 2 Aug 1965, H61RS #5
Casanova is just being punished for going to Desolation Row
Casanova he is just being punished for going to Desolation Row 24 May 1966, Paris
At midnight all the agents and the superhuman crew
Come out and round up everyone that knows more than they do
Come out and round up everybody that knows more than they do H61RS #1, 2 Aug 1965, H61RS #5
Then they bring them to the factory where the heart-attack machine
Then they bring them to the factory and the heart-attack machine 29-7-65, H61RS #1, 2-8-65 H61RS #5
Then they take them to the factory and the heart-attack machine 4 Aug 1965, H61RS #3
Is strapped across their shoulders and then the kerosene
Is strapped across their bosoms and then the kerosene 29 July 1965, H61RS #1
Is brought down from the castles by insurance men who go
Is brought down from the factories by insurance men who go 16 May 1966, Sheffield
Check to see that nobody is escaping to Desolation Row
Check to see that nobody escapes to Desolation Row 3 Sep 1965, Los Angeles ?
Check to see that no one is escaping to Desolation Row 16 May 1966, Sheffield
Praise be to Nero’s Neptune, the Titanic sails at dawn
Everybody is shouting, which side are you on?
And Ezra Pound and T. S. Eliot, fighting in the captain’s tower
While calypso singers laugh at them and fishermen hold flowers
Between the windows of the sea where lovely mermaids flow
And nobody has to think too much about Desolation Row
And nobody ever thinks too much about Desolation Row 29 July 1965, H61RS #1
And nobody ever has to thinks too much about Desolation Row 2 Aug 1965, H61RS #5
Yes, I received your letter yesterday about the time the doorknob broke
Now, I got your letter yesterday about the time the doorknob broke 29 July 1965, H61RS #1
When you asked me how I was doing, was that some kind of joke?
All these people that you mention, yes, I know them, they’re quite lame
I had to rearrange their faces and give them all another name
Right now, I can't read too good don't send me no more letters, no
Right now, I don't feel so good, I don't want your letters no more, no 29 July 1965, H61RS #1
Right now, I'm just walking by myself, don't wright me no more letters, no 2 Aug 1965, H61RS #5
Right now, my head is braking, don't sent me no more letters, no 4 Aug 1965, H61RS #3
Right now, I can't read too well, don't send me no more letters, no 5 Feb 1966, White Plains
Right now, I cannot read too well, don't send me no more letters, no 16 May 1966, Sheffield
Not unless you mail them from Desolation Row
Desolation Row. 19650729#1, 19650802#1-5, 19650804#1-4 19650828, 19650903, 19651030inc, 19660205, 19660206, 19660226, 19660413, 19660419inc, 19660420, 19660429inc, 19660505, 19660506, 19660510, 19660512, 19660514, 19660515, 19660516, 19660517, 19660519, 19660520Inc, 19660521inc, 19660524inc, 19660526, 19660527, 19740204, 840621
First performed 30 July 1965, New York City, New York
30 July 1965, New York City, New York, Columbia Recording Studios, Studio A, The 4th Highway 61 Revisited session #5. Released on Highway 61 Revisited
I got this graveyard women, you know she keeps my kids
But my soulful mama, you know she keeps me hid
She’s a junkyard angel and she always gives me bread
Well, if I go down dyin’, you know she's bound to put a blanket on my bed
Well, when the pipeline gets broken and I'm lost on the river bridge
I'm cracked up on the highway and on the water's edge
Here she comes down the thruway ready to sew me up with her thread
Well, if I go down dyin', you know she bound to put a blanket on my bed
Well, she don’t make me nervous, she don’t talk too much
She walks like Bo Diddley and she don’t need no crutch
She keeps this four-ten all loaded with lead
Well, if I go down dyin’, you know she bound to put a blanket on my bed
Come on
Well, you know I need a steam shovel, mama, to keep away the dead
I need a dump truck baby to unload my head
She brings me everything and more, and just like I said
Well, if I go down dyin’, you know she bound to put a blanket on my bed.
VARIATIONS From A Buick 6. Compared with the take released on Highway 61 Revisited. Recorded 30 July 1965, The 4th Highway 61 Revisited session #5.
I got this graveyard women, you know she keeps my kids
I got graveyard women, you know they keeps the kids 30 July 1965, H61RS #4
But my soulful mama, you know she keeps me hid
She’s a junkyard angel and she always gives me bread
She’s a junkyard angel and she also gives me bread 30 July 1965, H61RS #4
Well, if I go down dyin’, you know she's bound to put a blanket on my bed
Well, when the pipeline gets broken and I'm lost on the river bridge
Well, when the pipeline gets lost, you know by the river bridge 30 July 1965, H61RS #4
I'm cracked up on the highway and on the water's edge
And I’m all cracked up by the water’s edge 30 July 1965, H61RS #4
Here she comes down the thruway ready to sew me up with her thread
She comes running down the thruway with her dynamite and her threats 30 July 1965, H61RS #4
Well, if I go down dyin', you know she bound to put a blanket on my bed
Well, she don’t make me nervous, she don’t talk too much
She walks like Bo Diddley and she don’t need no crutch
She walks like Bo Diddley and she don’t need no crutch 30 July 1965, on Highway 62 Revisited
She walks like Rimbaud and she don’t need no crutch 28 Aug 1965, Forrest Hills, NYC
She keeps this four-ten all loaded with lead
She keeps this four-ten loaded underneath her bed 28 Aug 1965, Forrest Hills, NYC
Well, if I go down dyin’, you know she bound to put a blanket on my bed
Come on
Well, you know I need a steam shovel, mama, to keep away the dead
I need a dump truck baby to unload my head
She brings me everything and more, and just like I said
Well, if I go down dyin’, you know she bound to put a blanket on my bed.
From A Buick 6. 19650730#4#5, 19650828, 19650903
First performed 30 July 1965, New York City, New York
He sits in your room, his tomb, with his fist full of tacks, preoccupied with his vengeance
Cursing the dead that can’t answer him back, you know that he has no intentions
Of looking your way, unless it’s to say, he needs you to test his inventions
Hey, come out your window?, come on, it won't ruin you
Don't say that he'll haunt you? You can go back any time you want to
He looks so truthful, is this how he feels when he tries to peel the moon and expose it
With his businesslike anger and his bloodhounds that kneel, if he needs a third eye he just grows it
He just needs you to talk or to pick up his chalk or remember where he throws it
Hey, crawl out your window?, come on, it won't ruin you
Don't say that he will haunt you? You can go back to him any time you want to
Why does he look so righteous while your face looks so changed
You must be awful frightened of the box, you where you keep him
While his genocide fools and his friends rearrange their religion of little tin women
To back up their views but your face is so bruised Come out the dark is beginning
Hey, crawl out your window? Come on, don't say it'll ruin you
Don't say that he will haunt you? You can go back to him any time you want to
VARIATIONS Can You Please Crawl Out Your Window. Compared with the take from 30 July 1965, The 4th Highway 61 Revisited session #1. Released on The Bootleg Series Vol. 12
He sits in your room, his tomb, with his fist full of tacks
He sits in his room, your tomb, with a mouth full of tax 30 July 1965, H61RS #-2
He sits in you room, his tomb, with his hands full of tax 30 July 1965, H61RS #-3
He sits in your room, his tomb , with a fist full of tax 30 July 1965, H61RS #3
Preoccupied with his vengeance
Cursing the dead that can’t answer him back, you know that he has no intentions
Cursing the dead that can't answer him back, I'm sure that he has no intentions 30 July 1965, H61RS #5
Cursing the dead that can't answer him back, you know he has no intentions 30 July 1965, H61RS #8
Cursing the dead but they can't answer him back, you know that he has no intentions 30 July, H61RS #12
Cursing the dead who can't answer him back, you know that he has no intentions 30 July, H61RS #15
Of looking your way, unless it’s to say, he needs you to test his inventions
Of looking your way, unless it's to say that he needs you to test his inventions 30 July 1965, H61RS #5
Hey, come out your window, come on, it won't ruin you
Hey, crawl out your window, come on, don't say it'll ruin you 30 July 1965, H61RS #17
Ah, come crawl out your window, use your hands and legs, it won't ruin you 30 Nov H61RS #6
Hey, come out your window, come on, don't say it'll ruin you 30 July, H61RS #15
Don't say that he'll haunt you? You can go back any time you want to
Don't say he will haunt you, you can go back to him any time you want to 30 July 1965, H61RS #3
Come on, don't say he will haunt you, you can go back to him any time you want to 30-7-1965, H61RS #5
How can you say he will haunt you, you can go back to him any time you want to 30 Nov 1965, H61RS #6
He looks so truthful, is this how he feels, when he tries to peel the moon and expose it
He looks so truthful, is this how he feels, trying to peel the moon and expose it 30 July 1965, H61RS #17
With his businesslike anger and his bloodhounds that kneel, if he needs a third eye he just grows it
He just needs you to talk or to pick up his chalk or remember where he throws it
He just need you to talk or to hand him his chalk or pick it up after he throws it 30 July 1965, H61RS #3
Hey, crawl out your window, come on, it won't ruin you
Hey, come on out the window, come on, it won't ruin you 30 July 1965, H61RS #3
Ah, come crawl out your window, use your hands and legs, it won't ruin you 30 Nov, H61RS #6
Hey, come through the window, come on, it won't ruin you 30 July, H61RS #12
Hey, crawl out your window, come on, don't say it'll ruin you 30 July 1965, H61RS #17
Don't say that he will haunt you, you can go back to him any time you want to
Come on, don't say he will haunt you, you can go back to him any time you want to 30 7 1965, H61RS #17
How can you say he will haunt you , you can go back to him any time you want to 30 Nov 1965, H61RS #6
Why does he look so righteous while your face looks so changed
Why does he look so righteous while your face is so changed 30 July 1965, H61RS #3
He looks so righteous while your face is so changed 30 Nov 1965, H61RS #6
He looks so righteous while your face looks so bruised 30 July, H61RS #15
You must be awful frightened of the box, you where you keep him
Are you frightened of the box where you keep him in 30 July 1965, H61RS #3
Are you frightened of the box you keep him in 30 July 1965, H61RS #17
While you're sitting on the box you keep him in 30 Nov 1965, H61RS #6
As you sit on the box you keep him in 30 Nov 1965, H61RS #10
While his genocide fools and his friends rearrange their religion of little tin women
While his genocide fools and his friends rearrange their religion of the little tin women 30 July, H61RS #12
To back up their views but your face is so bruised, come out the dark is beginning
It just backs-up their views but your face is so bruised, come on out the dark is beginning 30 7 65, H61RS #3
It backs-up their views but your face is so bruised, come on out the dark is beginning 30 July 65, H61RS #5
Hey, crawl out your window, come on, don't say it'll ruin you
Hey, come out your window, come on, don't say it'll ruin you 30 July 1965, H61RS #5
Ah, come crawl out your window, use your hands and legs, it won't ruin you 30 Nov, H61RS #6
Hey, come on out the window, come on, don't say it'll ruin you 30 July, H61RS #12
Hey, crawl out your window, come on, don't say it'll ruin you 30 July 1965, H61RS #17
Don't say that he will haunt you, you can go back to him any time you want to
Come on, don't say he will haunt you, you can go back to him any time you want to 30 7 1965, H61RS #17
How can you say he will haunt you, you can go back to him any time you want to 30 nov 1965, H61RS #6
Whooo ... Where's the window ... Come out the window 30 Nov 1965, H61RS #6
You gotta lot of nerve to say you are my friend 30 Nov 1965, H61RS #10
If you won't come out your window, yes, come out your window 30 Nov 1965, H61RS #10
Can You Please Crawl Out Your Window? 19650730#1-17, 19651130#6#10
First performed 2 August 1965, New York City, New York
2 August 1965, New York City, New York, Columbia Recording Studios, Studio A,The 5th Highway 61 Revisited session #9, Released on Highway 61 Revisited
Well, God said to Abraham, kill me a son,. Abraham said, man, you must be puttin’ me on
God said, no, Abe say, what? God say, you can do what you want Abe, but
The next time you see me comin’ you better run
Well, Abe said, where you want this killin’ done? God said, out on Highway 61
Well Georgia Sam he had a bloody nose. The Welfare Department they wouldn’t give him no clothes
He asked poor Howard where can I go, Howard said there’s only one place I know
Sam said tell me quick man I got to run
Ol' Howard just pointed with his gun and said, that way down Highway 61
Well, Mack the Finger said to Louie the King, I got a forty red, white and blue shoestrings
And a thousand of telephones that don’t to ring, do you know where I can get rid of these things
And Louie the King said let me think for a second son
Then he said, yes I think it can be easily done, just take everything down to Highway 61
Now the fifth daughter on the twelfth night told the first father that things weren’t right
My complexion she said is much too white, he said come here and step into the light
He says hmm you’re right
Let me tell the second mother this has been done
But the second mother was with the seventh son and they were both out on Highway 61
Now, the rovin’ gambler he was very bored tryin’ to arrange a next world war
He found a promoter who nearly fell off the floor, he said I've never engaged in this kind of thing before
But yes, I think it can be very easily done
We’ll just put some bleachers out in the sun and have it on Highway 61
VARIATIONS Highway 61 Revisited. Compared with the take released on Highway 61 Revisited. Recorded 2 August 1965, H61RS, #9
Well, God said to Abraham, kill me a son, Abraham said, man, you must be puttin’ me on
Well, God said to Abraham, kill me a son, Abe says, what, man, you must be puttin’ me on 2 Aug 1965 #3
God said, no, Abe say, what, God say, you can do what you want Abe, but
God said, no, Abe said, what?, God said, you can do what you want Abe, but 2 Aug 1965, H61RS #3
The next time you see me comin’ you better run
Well, Abe said, where you want this killin’ done, God said, out on Highway 61
Well all right, where you want this killin’ done, God said, out on Highway 61 2 Aug 1965, H61RS #3
God said where you want this killing done, out on Highway 61 1 Aug 1969, Isle of Wight
God said where you want this killing done, God said, out on Highway 61 3 June 1984, Munich
Well Georgia Sam he had a bloody nose, the Welfare Department they wouldn’t give him no clothes
He asked poor Howard, where can I go, Howard said, there’s only one place I know
He asked poor Howard, where can I go, Abe said, there’s only one place I know 28 June 1984, Barcelona
Sam said, tell me quick man, I got to run
Sam said, quick man because I got to run 20 June 1984, Rome
Old Howard just pointed with his gun and said, that way down Highway 61
Old poor Howard just pointed with his gun. He said that way down Highway 61 2 Aug 1965, H61RS #3
He pointed waving with his gun… 2 Aug 1965, H61RS #5
And then he pointed waving with his gun… 2 Aug 1965, H61RS #5
Howard just pointed off with his gun, he said, down highway 61 28 May 1984, Verona
Howard just pointed [outwards] with his gun, said, that way, down Highway 61 4 June 1984, Rotterdam
(words lost whole verse) 21 June 1984, Rome
Well, Mack the Finger said to Louie the King
Oh Mack the Finger said to Louie the King 2-8-1965 H61RS #3
I got a forty red, white and blue shoestrings
I got a thousand red, white and blue shoestrings 2-8-1965 H61RS #3
And a thousand of telephones that don’t to ring
And a bunch of telephones that don’t ring 2 Aug 1965, H61RS #3
And a hundred of telephones that don’t seem to ring, 2 Aug 1965, H61RS #5
Do you know where I can get rid of these things
I simply gotta get rid of these things 2 Aug 1965, H61RS #3
Do you know where I can possibly get rid of these things 1 Aug 1969, Isle of Wight
And Louie the King said, let me think for a second son
Louie the King said let me think for a second son 2 Aug 1965, H61RS #3
Then he said, yes I think it can be easily done 1 Aug 1969, Isle of Wight
Louie the King said let me think for a minute son 9 Feb 1974, Seattle evening
Then he said, yes I think it can be easily done
And then he said, oh, yes I think it can be easily done 2-8-1965 H61RS #3
[Been on thinking on the telephone], out on Highway 61 1 Aug 1969, Isle of Wight
Just take everything down to Highway 61
Take it all down to Highway 61 14 Feb 1974, Inglewood evening
Down Highway 61 28 May 1984, Verona
Now the fifth daughter on the twelfth night told the first father that things weren’t right
The holy daughter on the twelfth night, she told the first father that things weren’t right 1 Aug 1969, Wight
Mack the Finger said, [???] a light, the fifth daughter on the twelfth night 9 June 1984, Gothenburg
Well the first daughter of the twelfth night told the father that things weren't right 6 June 1984, Rotterdam
[Holy gambler] on the twelfth night told the first father that things weren't right 30 June 1984, Nantes
Well the first [scandler] on the twelfth night told the first father that things weren't right 21 June 1984, Rome
My complexion, she said, is much too white
[???] things all right 9 June 1984, Gothenburg
He said, come here and step into the light
He said, come over here girl and step into this light 9 Feb 1974, Seattle evening
He said, come over here girl and step into this kind of light 13 Feb 1974, Inglewood
Come over here girl, step into the light 4 June 1984, Rotterdam
He says hmm you’re right
Yes, you’re right 28 May 1984, Verona
Let me tell the second mother this has been done
Better tell the second mother this has been done 2 Aug 1965, H61RS #3
Let me tell the mother this has been done 28 May 1984, Verona
But the second mother was with the seventh son and they were both out on Highway 61
But the fortieth mother was with the seventh son and the were both out on Highway 61 26 June 1984, Madrid
Now, the rovin’ gambler he was very bored, tryin’ to arrange a next world war
Ah, the rovin’ gambler he was very bored, he 's tryin’ to arrange the next world war 2 Aug 1965, H61RS #3
Now, the rovin’ gambler he was very bored tryin’ to create a next world war 1 Aug 1969, Isle of Wight
He found a promoter who nearly fell off the floor
He found a promoter who nearly fell on the floor… 14 Feb 1974, Inglewood evening
He found a promotor who fell on the floor 3 June 1984, Munich
He said I've never engaged in this kind of thing before
Oh, I never get into this kind of thing before 11 June 1984, Offenbach
But yes, I think it can be very easily done
But I see, yes, how it can be very easily done 2 Aug 1965, H61RS #3
Yes I think it can be rather easily done 28 May 1984, Verona
We’ll just put some bleachers out in the sun and have it on Highway 61
We’ll just put some bleachers out in the sun, out on Highway 61 2 Aug 1965, H61RS #3 ???
Highway 61 Revisited. 650802#3#5#6#7, 690831, 740209eve, 740211, 740213, 740214aft, 740214eve, 840523, 840528, 840529, 840602, 840603, 840604, 840606, 840607, 840609, 840610, 840611, 840613, 840614, 840617, 840619, 840620, 840621, 840624, 840626, 840628, 840630, 840701, 840703,840705, 840707, 840708
First performed 2 August 1965, New York City, New York
When you’re lost in the rain in Juarez and it’s Eastertime too
And your gravity fails and negativity don’t pull you through
Don’t put on any airs when you’re down on Rue Morgue Avenue
They got some hungry women there and they really make a mess outta you
Now, if you see Saint Annie, please tell her thanks a lot
I cannot move, my fingers are all in a knot
I don't have the strength to get up and take another shot
And my best friend my doctor won’t even say what it is I’ve got
Sweet Melinda, the peasants call her the goddess of gloom
She speaks good English and she invites you up into her room
And you’re so kind and careful not to go to her too soon
And she takes your voice and leaves you howling at the moon
Up on Housing Project Hill, it’s either fortune or fame
You must pick one or the other, though neither of them are what they claim
If you’re lookin’ to get silly you better go back to from where you came
Because the cops don’t need you and man they expect the same
Now all the authorities they just stand around and boast
How they blackmailed the sergeant-at-arms in to leaving his post
And pickin' up Angel who just arrived here from the coast
Who looked so fine at first but left here looking just like a ghost
I started out on burgundy but soon hit the harder stuff
Everybody said they’d stand behind me when the game got rough
But the joke was on me, there was nobody even there to bluff
I’m going back to New York City, I do believe I’ve had enough
VARIATIONS Just Like Tom Thumb's Blues. Compared with the take released on Highway 61 Revisited. Recorded 2 August 1965, The 5th Highway 61 Revisited session #16. See also Volume 13
When you’re lost in the rain in Juarez and it’s Eastertime too
When you’re lost in Juarez, raining and it’s Easter too 2 Aug 1965, H61RS #1
When you’re lost in the rain, down in Juarez and it’s Easter too 2 Aug 1965, H61RS #3
When you're lost in the rain in Juarez when it's Easter time too 29 July 1965, H61RRS #5
When you're lost down in Juarez, it's raining and it's Easter time too 29 July 1965, H61RRS #9
And your gravity fails and negativity don’t pull you through
And your gravity drops and negativity don’t pull you through 2 Aug 1965, H61RS #3
And your gravity ‘s down and negativity don’t get you through 14 May 1966, Liverpool
Don’t put on any airs when you’re down on Rue Morgue Avenue
Don’t put on any airs when you’re walking on Rue Morgue Avenue 2 Aug 1965, H61RS #3
Just don't put on no airs when you're down on Rue Morgue Avenue 29 July 1965, H61RRS #5
Just don't put on any airs when you're down on Rue Morgue Avenue 29 July 1965, H61RRS #9
Just don’t put on any airs when you’re walking on Rue Morgue Avenue 17 May 1966, Manchester
Just don’t put on any airs on Rue Morgue Avenue 1 May 1970, NMRS#1
They got some hungry women there and they really make a mess outta you
They got some hungry women thee and man they make a mess outta you 29 July 1965, H61RRS #5
They got some hungry women there really make a mess outta you 1 May 1970, NMRS#1
Now, if you see Saint Annie, please tell her, thanks a lot
Well, if you see Saint Annie, please tell her, thanks a lot 2 Aug 1965, H61RS #3
Whenever you see Saint Annie, please tell her, thanks a lot 16 June 1984, Cologne
I cannot move, my fingers are all in a knot
I cannot move so good today, my fingers are all in a knot 1 May 1966, Copenhagen
I cannot move, my fingers they are all in a…, tied in a knot 20 Apr 1966, Melbourne
I cannot move, my fingers they are all even in a knot 14 May 1966, Liverpool
I cannot move, my fingers they are all tied in a knot 20 May 1966, Edinburgh
I cannot move, my fingers they’re all in a tiding knot 21 May 1966, Newcastle
I can’t move too good Mid May 2021, On Shadow Kingdom
I cannot move so well, my fingers are all in a knot 1 May 1970, NMRS#1
I cannot move so good today, my fingers are all wrapped up in a knot 11 Feb 1974, Oakland, California
I cannot move to well, my fingers they're all up in a knot 17 April 1976, Clearwater
I don't have the strength to get up and take another shot
I do not have the strength to get up and take another shot 2 Aug 1965, H61RS #3
I don't have the strength to get up and get another shot 1 May 1970, NMRS#1
And my best friend my doctor won’t even say what it is I’ve got
And the doctor who's my best friend won’t even tell me what it is I’ve got 2 Aug 1965, H61RS #3
And my good friend the doctor won't even say what it is I got 29 July 1965, H61RRS #5
And my best friend the doctor, he won’t even tell me what it is I’ve got 21 May 1966, Newcastle
And my best friend my doctor won’t say what it is that I’ve got 1 May 1970, NMRS#1
Sweet Melinda, the peasants call her the goddess of gloom
She speaks good English and she invites you up into her room
And you’re so kind and careful not to go to her too soon
And she takes your voice and leaves you howling at the moon
And later on you're left howling at the moon 2 Aug 1965, H61RS #3
And she steals your voice and leaves you howling at the moon 29 July 1965, H61RRS #5
And leaves you screaming at the moon 12 Dec 1965, San José
And she steals your voice and leaves you screaming at the moon 16 May 1966, Sheffield
And she takes your voice and leaves you screaming at the moon 21 May 1966, Newcastle
She steals your voice and leaves you scowling at the moon 11 Feb 1974, Oakland
Up on Housing Project Hill, it’s either fortune or fame
You must pick one or the other, though neither of them are what they claim
You must pick one or the other, neither of them are what they claim 1 May 1970, NMRS#1
You must pick one or the other, but neither of them are to be what they claim 29 July 1965, H61RRS #5
If you’re lookin’ to get silly you better go back to from where you came
If you’re lookin’ to get silly you better beat it on go back to from where you came 11 Feb 1974, Oakland
If you’re lookin’ to get silly you better getting on back to from where you came 9 Feb 1974, Seattle
If you're lookin' to get silly, get on back to from where you came 14 Feb 1974, Inglewood afternoon
Because the cops don’t need you and man they expect the same
Because the cops don’t need you here and man they expect the same 2 Aug 1965, H61RS #3
Now all the authorities they just stand around and boast
How they blackmailed the sergeant-at-arms in to leaving his post
How they blackmailed the sergeant-at-arms up in leaving his post 2 Aug 1965, H61RS #3
How they blackmailed the sergeant-at-arms to getting up and to leave his post 29 July 1965, H61RRS #5
How they blackmailed the sergeant-at-arms in to getting up and leaving his post 12 May 1965, Newcastle
And pickin' up Angel who just arrived here from the coast
To go bust Angel who just arrived here from the coast 2 Aug 1965, H61RS #3
And pickin' up Angel who just arrived down here from the coast 29 July 1965, H61RRS #5
And pickin' up Angel who just arrived from the coast 17 May 1966, Manchester
And poking up Angel who just here arrived from the coast 26 May 1966, London
And piking up Angel who just got here from the coast 14 Feb 1974, Inglewood afternoon
Who looked so fine at first but left here looking just like a ghost
Who looked so fine at first but left looking just like a ghost 17 May 1966, Manchester
[???] but left to be just like a ghost 11 Feb 1974, Oakland, California
I started out on burgundy but soon hit the harder stuff
I started out on burgundy then I hit the harder stuff 28 Aug 1965, Forrest Hills, NYC
Then I started on burgundy, soon hit the harder stuff 1 May 1970, NMRS#1
Everybody said they’d stand behind me when the game got rough
Everybody said they'd be behind me when the game got rough 29 July 1965, H61RRS #5
Everybody said they’re right behind me when the game got rough Mid May 2021, On Shadow Kingdom
But the [game] get rough when the game finally got rough 1 May 1970, NMRS#1
Everybody said they’re right behind me when the game got a little too rough 31 Jan 1974, New York City eve
Everybody said they’re right behind me when the game got a little bit rough 11 Feb 1974, Oakland
Everybody said they’re right behind me if the game got rough 4 Feb 1974, Los Angeles aft
Everybody said they’re be right there when the game got rough 15 April 1976, Clearwater#1
Everybody said they’re be right there when the game got too rough 14 June 1981, Columbia
But the joke was on me, there was nobody even there to bluff
But it was all a laugh because there was no one there to call my bluff 2 Aug 1965, H61RS #3
But it was all a big laugh, there was nobody even there to call my bluff 29 July 1965, H61RRS #5
But the joke was on me, there was nobody even to call my bluff 26 Feb 1966, Hempstead
Yes, but the joke was on me, there was nobody even there to call my bluff 20 May 1966, Edinburgh
Everybody was my friend but the going got tough 1 May 1970, NMRS#1
There was nobody even there to call my bluff 9 Jan 1974, Toronto, Canada
But the joke was all on me, there was nobody even there to call my bluff 14 Jan 19174, Boston, Afternoon
But the joke was on me, there was no one even there to call my bluff 15 April 1976, Clearwater#1
But the joke was on me, there was, wasn't even anybody there to bluff 14 June 1981, Columbia
I’m going back to New York City, I do believe I’ve had enough
I’m going back to New York City, I believe I’ve had almost enough 1 May 1970, NMRS#1
Just Like Tom Thumb's Blues. 650802#1-#16, 650828, 650903, 651030inc, 651212, 660226, 660413, 660419, 660420, 660429frag, 660501, 660505, 660506, 660510, 660511, 660512, 660514, 660515, 660516, 660517Sndchck, 660517, 660519, 660520, 660521, 660524, 660526, 660527, 700501#1, 740104, 740109, 740110, 740211, 740114aft, 740131eve, 740209eve, 740214aft, 740214eve, 760415#1#2, 760417, 780715, 780929, 810614, 840616, 860308
First performed 2 August 1965, New York City, New York
2 August 1965, New York City, New York, Columbia Recording Studios, Studio A,The 5th Highway 61 Revisited session #7. Released on Highway 61 Revisited
When your mother sends back all your invitations and your father to your sister he explains
That you’re tired of yourself and all your creations
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now when all of the flower ladies want back what they have lent you and the smell of their roses does not remain
And all of your children start to resent you
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now, when all of the clowns that you have commissioned have died in battle or in vain
And you're sick of all this repetition
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Oh, when all of your advisors heave their plastics at your feet to convince you of your pain
Trying to prove that your conclusions should be more drastic
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now when all of the bandits that you turned your other cheek to all lay down their bandanas and complain
And you want somebody you don't have to speak to
Won’t you come see me, Queen Jane? Ah, won’t you come see me, Queen Jane?
VARIATIONS Queen Jane Approximately. Compared with the take released on Highway 61 Revisited. The 5th Highway 61 Revisited session #7
When your mother sends back all your invitations and your father to your sister he explains
When your mother rips up all your invitations and your father to your sister he explains 2-8-1965, H61RS #2
That you’re tired of yourself and all your creations
That you’re tired of yourself and your creations 2 Aug 1965, H61RS #2
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now when all of the flower ladies want back what they have lent you
Now when the flower ladies want back what they have lent you 2 Aug 1965, H61RS #2
And the smell of their roses does not remain
And the smelling of the roses does not remain 2 Aug 1965, H61RS #2
And all of your children start to resent you
And all of your children turn against you 2 Aug 1965, H61RS #2
And all of your children they resent you 2 Aug 1965, H61RS #5
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now, when all of the clowns that you have commissioned have died in battle or in vain
And you're sick of all this repetition
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Oh, when all of your advisors heave their plastics
And when all of your advisors start to neglect you Mid May 2021, On Shadow Kingdom
At your feet to convince you of your pain
And you cannot convince them of your pain Mid May 2021, On Shadow Kingdom
Trying to prove that your conclusions should be more drastic
And you want someone to protect you Mid May 2021, On Shadow Kingdom
Won’t you come see me, Queen Jane? Won’t you come see me, Queen Jane?
Now when all of the bandits that you turned your other cheek to
….. When all the vandalists that you turned your other cheek to Mid May 2021, On Shadow Kingdom
All lay down their bandanas and complain
And you want somebody you don't have to speak to
Won’t you come see me, Queen Jane? Ah, won’t you come see me, Queen Jane?
Queen Jane Approximately. 19650802#2#5#7 2021MidMay
First performed 2 August 1965, New York City, New York
2 August 1965, New York City, New York, Columbia Recording Studios, Studio A,The 5th Highway 61 Revisited session #3. Released on Highway 61 Revisited
You walk into the room, with your pencil in your hand
You see somebody naked and you say, who is that man?
You try so hard but you don’t understand
Just what you’ll will say when you get home
Because something is happening here but you don’t know what it is, do you, Mister Jones?
You raise up your head and you ask, Is this where it is?
And somebody points to you and says, It’s his
And you say, what’s mine?, and somebody else says, Where what is?
And you say, oh my God, am I here all alone?
But something is happening and you don’t know what it is, do you, Mister Jones?
You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, how does it feel to be such a freak?
And you say, Impossible, as he hands you a bone
And something is happening here but you don’t know what it is, do you, Mister Jones?
You have many contacts among the lumberjacks to get you facts
When someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations
Ah, you’ve been with the professors and they’ve all liked your looks
With great lawyers you have discussed lepers and crooks
You’ve been through all of F. Scott Fitzgerald’s books
You’re very well read, it’s well known
But something is happening here, and you don’t know what it is, do you, Mister Jones?
Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice he asks you how it feels
And he says, Here is your throat back, thanks for the loan
And you know something is happening, but you don’t know what it is, do you, Mister Jones?
Now you see this one-eyed midget shouting the word NOW
And you say, for what reason? and he says, how?
And you say, what does this mean? and he screams back, You’re a cow
Give me some milk or else go home
And you know something is happening but you don’t know what it is, do you, Mister Jones?
Well, you walk into the room like a camel and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin’ around
You should be made to wear earphones
'Cause something is happening and you don’t know what it is, do you, Mister Jones?
VARIATIONS Ballad of a thin man. Compared with the take released on Highway 61 Revisited. Recorded 2 August 1965, the 5th Highway 61 Revisited session #3
You walk into the room, with your pencil in your hand
You come into the room with your pencil in your hand 2 June 1978, Los Angeles
You see somebody naked and you say, who is that man?
You see someone naked and you ask, who is that man? 2 Aug 1965, H61RS #2
You try so hard but you don’t understand
You're trying hard but you don’t understand 2 Aug 1965, H61RS #2
Just what you’ll will say when you get home
Just what you’ll gonna say when you get home 11 May 1966, Cardiff
What's there for you when you get home 3 July 1984, Grenoble
Because something is happening here but you don’t know what it is, do you, Mister Jones?
You raise up your head and you ask, is this where it is?
Now, you raise up your head and you ask, Is this where it is? 2 Aug 1965, H61RS #2
You walk in so politely and say, is this where it is? 28 Aug 1965, Forrest Hills, NYC
You walk in your head, you ask, is this where it is? 4 Jan 1974, Chicago
You raise up your head, say, is this where it is? 10 Jan 1974, Toronto
You come in through the back door and you say, is this where it is 28 Feb 1978, Tokyo
You sneak in through the window and you say, is this where it is 1 March 1978,Tokyo
You crawl through a window and he says, is this where it is 2 March 1978, Tokyo
You crawl through the back door and you say, is this where it is 20 June 1978, London
You sneak through the back door and you say, is this where it is 23 June 1978, Rotterdam
You [???] through the back door and you say, is this where it is 15 July 1978, Camberley
You come in through the side door, say is this where it is 19 Sep 1978, Montreal
You slip through the side door and you say, is this where it is 20 Oct 1978, Richfield
You sneak through the side door and you say, is this where it is 10 Nov 1978, Seattle
You slip through the back door, say, is this where it is 10 Dec 1978, Charlotte
You walk in through the back door, you say, is this where it is 27 June 1980, London
You walk in to the [restaurant], say is this where it is 4 Nov 1981, Cincinnati
You walk in through the back door, you say, is this where it is 12 Nov 1981, Houston
You walk in through the side door, say, is this where it is 28 May 1984, Verona
You head through the back door, say, is this where it is 29 May 1984, Verona
You walk in the side door, say, is this where it is 3 Jun 1984, Munich
You hand in the back door, to go see just where it is 7 July 1984, London
You walk through the side door, you say, is this where it is 24 Feb 1986, Sydney
And somebody points to you and says, it’s his
Somebody points to you and says, it’s his 2 Aug 1965, H61RS #2
Somebody points his finger at you and says, it’s his 29 Oct 1975, Falmouth
And you say, what’s mine, and somebody else says, where what is
You say, what’s mine, and somebody else says, where what is 2 Aug 1965, H61RS #2
And you say, what’s mine, somebody else says, what is 20 May 1966, Edinburgh
You say, what's mine, someone else says, where what is 4 July 1981, Birmingham
And you say, oh my God, am I here all alone
Oh my God, am I here all alone 10 July 1981, Drammen
You say, oh no, am I here all alone Late May 1984, Verona, reh
You say, ah ja, [as it hand you a bone] 31 May 1984, Hamburg
But something is happening and you don’t know what it is, do you, Mister Jones?
You hand in your ticket and you go watch the geek
Now, you hand in your ticket to go watch the geek 2 Aug 1965, H61RS #2
You hand in your money to go watch the geek 13 Apr 1966, Sydney
You hand in your ticket to go meet the geek 9 Feb 1974, Seattle, evening
You hand in your ticket to go see the geek 14 Feb 1974, Inglewood afternoon
You hand in your money to go see the geek 28 May 1984, Verona
Who immediately walks up to you when he hears you speak
Who something comes up to you when he hears you speak 28 Aug 1965, Forrest Hills, New York City
Who suddenly walks up to you when he hears you speak 3 Sep 1965, Los Angeles
Who walks up to you when he hears you speak 9 Feb 1974, Seattle, evening
Who walks right up to you as when hears you speak 31 May 1984, Hamburg
And says, how does it feel to be such a freak
And he says, how does it feel to be such a freak 2 Aug 1965, H61RS #2
Saying, how does it feel to be such a freak 14 May 1966, Liverpool
Asking, how does it feel to be such a freak 1 July 1978, Nürnberg
And ask you to be such a freak 24 July 1986, Bonner Springs
Just how does it feel to be such a freak 29 July 1986, Portland
And you say, impossible, as he hands you a bone
You say, impossible, as he hands you a bone 2 Aug 1965, H61RS #2
You say, oh no, as he hands you a bone 28 May 1984, Verona
You say, ah, well, as [care] take you home 29 May 1984, Verona
And something is happening here but you don’t know what it is, do you, Mister Jones?
You have many contacts among the lumberjacks to get your facts
Now, you have many contacts among the lumberjacks, to get your facts 2 Aug 1965, H61RS #2
You have many contacts out there among the lumberjacks to get your facts 5 May 1966, Dublin
When someone attacks your imagination
But nobody has any respect
No one has any respect Late May 1984, Verona, reh
Anyway, they already expect you to all give a check
In fact, they expect you to give you a check 2 Aug 1965, H61RS #2
Anyway, they already expect you to sign over a check 28-8-1965 Forrest Hills, New York City
Anyway, they just expect you take your check and give it 16 May 1966, Sheffield
Anyway, they already expect you just to give away your check 12 May 1966, Manchester
Anyway, they already expect you just to take your check over 19 May 1966, Glasgow
Anyway, they just expect you to give your check 24 May 1966, Paris
Anyway, they already expect you just to sign over a check 26 May 1966, London
Anyway, they already just expect you do to take your checks and give it 27 May 1966, London
Anyway, they already expect you to just sign a royal check 9 jan 1974, Toronto
They just already expect you to give your check 31 Jan 1974, New York City eve
Anyway, they expect you to give your check 13 Feb 1974, Inglewood
Anyway, they can't connect, because can't make a spec 29 Oct 1975, Falmouth
Anyway, they just expect you to hand over your check ?? Jan 1978, Santa Monica
Anyway, the just expect you to sign your check 20 June 1978, London
Anyway, they just [came to wait] when you sing your check to 23 June 1978, Rotterdam
They just expect you to sign your check 3 July 1984, Grenoble
They do just expect you to sign your check 17 June 1984, Nice
To tax-deductible charity organizations
Ah, you’ve been with the professors and they’ve all liked your looks
Ah, you’ve been with professors and they’ve liked your looks 2 Aug 1965, H61RS #2
With great lawyers you have discussed lepers and crooks
With great scholars you have discussed lepers and crooks 29 or 31 Oct 1965, Boston
Great lawyers and scholars, you discussed lepers and crooks 10 May 1966, Bristol
You’ve been through all of F. Scott Fitzgerald’s books
You’re very well read, it’s well known
Ah, you’re well read and it’s very well-known 2 Aug 1965, H61RS #2
You’re very well read, yes, it’s well-known 24 May 1966, Paris
But something is happening here, and you don’t know what it is, do you, Mister Jones?
Well, the sword swallower, he comes up to you and then he kneels
The sword swallower walks up to you and then he kneels 14 May 1966, Liverpool
The sword swallower steps up to you and then he kneels 10 Jan 1974, Toronto
You've seen the sword swallower walk up to you and kneel 27 June 1980, London
He crosses himself and then he clicks his high heels
And without further notice he asks you how it feels
And without further notice he tells you how it feels 13 Apr 1966, Sydney
And you say [???] further notice he ask you how it feels 27 June 1980, London
And he says, here is your throat back, thanks for the loan
And he says, here is your mouth back, thanks for the loan 5 May 1966, Dublin
And he says, here is your mouth back, thank you for the loan 16 May 1966, London
And says, what did you say, here is your throat back, thanks for the lone 15 Nov 1978, Los Angeles
And you know something is happening, but you don’t know what it is, do you, Mister Jones?
Now you see this one-eyed midget shouting the word, now
The one-eyed midget calling the word, Now 4 July 1981, Birmingham
The one-eyed midget shouting the word, now 10 July 1981, Drammen
And you say, for what reason and he says, how?
And you say, what does this mean and he screams back, you’re a cow
And you say, good God, what does this mean and he screams back, 29 or 31 Oct 1965, Boston
And you say, oh, my God, what does that mean? and he screams back 14 May 1966, Liverpool
Give me some milk or else go home
And you know something is happening but you don’t know what it is, do you, Mister Jones?
Well, you walk into the room like a camel and then you frown
You crawl into the room like a camel and then you frown 13 Feb 1974, Inglewood
You crawl through the back door and you, like a camel and you frown 1 July 1978, Nürnberg
(words lost) [Your hand in your pocket, ???] 28 May 1984, Verona
(words lost) [???] 29 May 1984, Verona
[You well] crawl in the room like a camel and you frown 29 July 1986, Portland
You put your eyes in your pocket and your nose on the ground
You put your eyes in your pocket and your nose inside the ground 5 May 1966, Dublin
You put your eyes in your pocket, your nose into the ground 11 May 1966, Cardiff
Holding your body up [high] and your nose in the ground 28 May 1984, Verona
You put your eyes in your pocket, you put your nose in the ground 9 June 1984, Gothenburg
There ought to be a law against you comin’ around
There ought to be an ordonnance against you coming around 10 Jan 1974, Toronto
You should be made to wear earphones
You should be made to be carrying at all times a telephone 13 Apr 1966, Sydney
You should be made to be wearing at all times a telephone 5 May 1966, Dublin
You should be made to be wearing a telephone 27 May 1966, London
Next time you do please remember first don’t forget you got to remember to telephone 9-8-2011, Evansville
You should be made to be carrying at all times a earphones 3 Jan 1974, Chicago, Illinois
You got to call up on the telephone ?? Jan 1978, Santa Monica
You got to be made to be wearing a telephone 28 Feb 1978, Tokyo
You got to [???], remember to telephone 7 June 1984, Brussels
You should be made at least [possible] telephone 9 June 1984, Gothenburg
At least you should be [the first [atom] telephone] 10 June 1984, Copenhagen
You should be made [the first ??? telephone] 11 June 1984, Offenbach
Remember, first, please, telephone 21 June 1984, Rome
[And please don't never [plea] to a telephone] 3 July 1984, Grenoble
You got to please remember to telephone 16 June 1984, Cologne
You got to remember, please, please, telephone 17 June 1984, Nice
You got to remember, first, please, telephone 19 June 1984, Rome
At least, please remember to telephone 24 June 1984, Milan
You should be made, at least, please, telephone 28 June 1984, Barcelona
At least remember, first you got to telephone 7 July 1984, Newcastle
Remember before you come, at least, please, first telephone 7 July 1984, London
Remember when you do, at least please telephone 8 July 1984, Slane
Next time you do, remember first to telephone 24 Feb 1986, Sydney
Next time you do, please telephone 24 July 1986, Bonner Springs
something is happening and you don’t know what it is, do you, Mister Jones?
CHORUSLINE
Because something is happening here but you don’t know what it is
But something is happening here, and you don’t know what it is
Now you’re positive something is happening and you wish you knew what to do about it 13 Apr 1966, Sydney
And now you’re positive something is happening 1 May 1966, Copenhagen
but you know something is happening and you don’t know what it is 5 May 1966, Dublin
but you know something is happening here, it’s just that you don’t know what it is 5 May 1966, Dublin
Then you really know something is happening now but you don’t know what it is 6 May 1966, Belfast
and now you're positive something is happening and you whish you knew what it was, 6 May 1966, Belfast
because you know something is happening but you don’t know what it is, 16 May 1966, Sheffield
but you know by that that something is happening and you don’t know what it is 16 May 1966, Sheffield
but something still is happening, and you don’t know what it is 16 May 1966, Sheffield
and you know something is happening now, but you still don’t know what it is 16 May 1966, Sheffield
and you see something happening but you don’t know what is is, 16 May 1966, Manchester
and now you're positive something is happening and you better find out what it is, 19 May 1966, Glasgow
and you begin to really know something is happening and you wish you knew what it 20 May-1966, Edinburgh
and you're positive something is happening and you know you know you gotta find out what it is, 20 May 1966
but you know something is happening, it’s just that you don’t know what it is, isn’t that right 21 May 1966, Newc
but still something is happening, and you don’t know what it is 21 May1966, Newcastle
and you know something is happening, but you don’t know what it is 21 May1966
and now you know something is happening, and it’s happening to you, isn’t it 21 May1966, Newcastle
and you're positive something is happening and you know you must find out what it is 21 May 1966, Newcastle
but something is happening and you got nothing to do with it and you don’t know what that is 24 May 1966, Paris
you immediate begin to wonder what’s happening, why it don’t include you 24 May 1966, Paris
and now you know something is happening, and it’s happening without you, isn’t it 26 May1966, London
you really know something is happening and you got to find out what is 26 May 1966, London
something is still happening now, it’s happening without you, ain’t it Mister Jones 27 May 1966, London
then you really know for sure, something is happening but you don't know 3 Jan 1974, Chicago, Illinois
Do you Mr. Jones
Ain’t it Mister Jones 27 May 1966, London
Ballad Of A Thin Man. 650202#2#3, 650802#2#3#9, 650828, 650903, 651030inc, 651029or31inc, 651212, 660413, 660429inc, 660501, 660505, 770506, 660510, 660511, 660512, 660514, 660515, 660516, 660517, 660519, 660520, 660521, 660524, 660526, 660527, 740103, 740104, 740109,19740110, 740114aft, 740131eve, 740209eve, 740213, 740214aft, 740214eve, 751029, 7801??, 780228, 780301, 780302, 780602, 780620, 780623, 780701, 780704, 780706, 780715, 780919, 781020, 781110, 781115, 781210, 810627, 810629, 810704, 810710, 810725, 811104, 811112, 8405Late, 840528, 840529, 840531, 840603, 840604, 840606, 840607, 840609, 840610, 840611, 840613, 840616, 840617, 840619, 840620, 840621,840624, 840626, 840628, 840630, 840701, 840703, 840705, 840707, 840708, 860224, 860308, 860626, 860704, 860709, 860713, 860724, 860729, 110809